Parsa considers the extent to which the decrees of the Council of Trent changed the subject matter, composition, and style of art in Europe in what has become known as Post-Tridentine art. He also reflects upon attempts to change and reform improper religious art during the Post-Tridentine era, as well as attempts to retroactively rectify issues in earlier prominent works of art.

Ukraine’s cultural heritage is at risk. Two years and $6 million USD later, there’s a task force mobilized to protect it.

Parsa Zaheri considers the evolution of Renaissance art and the differing artistic styles found within the two-hundred years of the Renaissance. He pays particular attention to identifying the key historical moments serving as the birth and death of each Renaissance art movement.

Max Hooper Schneider uses the remnants of humanity in his installations to build a vivid post-anthropocene scene, providing us with a new normal of existing with catastrophes.

A visual analysis of Félix Bonfils’ “Karnak, Avenue Centrale de la Salle Hypostyle, Egypte.”

Considering Gian Lorenzo Bernini’s representation of a controversial saint.