October 17, 2024
Features
Features
Max Hooper Schneider uses the remnants of humanity in his installations to build a vivid post-anthropocene scene, providing us with a new normal of existing with catastrophes.
Max Hooper Schneider uses the remnants of humanity in his installations to build a vivid post-anthropocene scene, providing us with a new normal of existing with catastrophes.
A visual analysis of Félix Bonfils’ “Karnak, Avenue Centrale de la Salle Hypostyle, Egypte.”
Considering Gian Lorenzo Bernini’s representation of a controversial saint.
In October 2023, the Cleveland Museum of Art (CMA) asserted their right of ownership, by means of a massive civil suit, over a Roman statue that was looted from Turkey.
Hunter Melton writes to beloved creator Patrick McHale (Over the Garden Wall) on new and old projects, asking what’s changed.
A Feminist Tale of Triumphs, Trials, and Tenacity in the Restitutions of Nazi-Looted Art