An experienced VISA shopper explains the difficulties of taking classes in the department to those unfamiliar with them and hopefully offers consolation to those who know them all too well.

Brown Art Review’s Parsa considers the differences between two fascinatingly similar movements and the legacies that they’ve left on the art world.

The visual power of the global phenomenon.

A reimagining of New York City (and beyond), of silence and of solitude.

An ode to Kehinde Wiley and his unique take on portraiture.

Mira talks with the Brown Art Review about her changing perspective on art-making, relationships, meaning, and memory in advance of her senior show “We will see us again.”