Go Back
Magazine

Diplo Loses ATM Leaderboard at Art Basel

An ATM at Art Basel Miami Beach takes a photo every time a user inserts their credit card and displays their photo with their bank account balance. Diplo declared himself the winner of the leaderboard, until recently someone dethroned him from the top with $9.5 million.

News
News
Diplo Loses ATM Leaderboard at Art Basel
Henry Merges

Henry Merges

Date
January 28, 2023
Read
1 Min

Art Basel Miami Beach is a week-long event with lavish music festivals and art exhibitions. Art sells for millions of dollars, and people come opulently displaying their wealth. “ATM Leaderboard”, by Brooklyn-based art collective MSCHF, is a work that takes a photo when someone inserts their credit card to withdraw money. After they are done with their transaction, their photo and the amount in their bank account goes on the leaderboard to display and compare their wealth.

Grabbing headlines on Friday, December 2nd, Diplo posted a video on Instagram where he broke the record on the leaderboard at over $3 million. “I just won Art Basel,” he prematurely wrote. Within days, he quickly moved multiple places down until the top of the leaderboard belonged to someone with over $9.5 million. 

“ATM Leaderboard is an extremely literal distillation of wealth-flaunting impulses,” Daniel Greenberg (one of the founders of MSCHF) told CNN in an email. At Miami Basel, people rent sports cars and rent expensive clothing to appear rich for this event, but what happens when they are tested to transparently display their wealth? In a way, this ATM Leaderboard aims to call people out for their performative behavior, and question what the display of wealth means, particularly at art events.

Latest Posts

May 1, 2026
Opinions
Opinions
The Playful Fourth Dimension in Natalia Goncharova’s "Cats"

Cara explores how Natalia Goncharova redirects the ambitious, often technologically oriented rhetoric of Russian avant-garde abstraction toward an intimate and playful subject: domestic cats.

May 1, 2026
Features
Features
Footy, Flags, and First Nations: The Australian Artist Reclaiming Portraiture for Australian Popular Culture

Kate explores how Australian artist Vincent Namatjira redefines portraiture to confront the legacies of colonialism while envisioning a more inclusive future—one expansive enough to embrace all Australians.

The Nationalistic Novelty of a Napoleonic Nuptial: The Cults of the Republican Motherhood and Fatherhood in the "Portrait of Antoine-Georges-François de Chabaud-Latour and His Family"

Brady deconstructs Barbier-Walbonne’s presentation of the Cults of the Republican Motherhood and Fatherhood in his seminal portrait in the RISD Museum, examining how the artist both adheres to and challenges the Imperial ideals of the Salon of 1806.