Providence Artists at The Whitney Biennial: Quiet as It’s Kept

Elise Ansel talks with the Brown Art Review about her experiences at Brown and engagement with art history within her work abstracting Old Master Paintings

Through their personal experience, Alex guides us through a vision for a personalized way of appreciating art, demonstrating that the value of art is not in the work, but in our hearts, joyfully entangled by context and life.

As Frieze London returns, transforming Regents Park into a marketplace for contemporary art, one questions whether the experience of appreciating art has become increasingly indistinguishable from luxury consumption. When it comes to art fairs, how much do we value art for what it actually communicates and how much for what it is worth to us as a commodity?