A visual analysis of Félix Bonfils’ “Karnak, Avenue Centrale de la Salle Hypostyle, Egypte.”

Isaac talks with the Brown Art Review about temporality, morality, photography, and degradation as they reflect on their senior thesis show, “Epigraph.”

For the first time in 50 years, Diego Velázquez’s portrait of Isabella of Bourbon was set to fetch $35 million at Sotheby’s New York, but in early January 2024, it was withdrawn from auction.

An experienced VISA shopper explains the difficulties of taking classes in the department to those unfamiliar with them and hopefully offers consolation to those who know them all too well.

Mira talks with the Brown Art Review about her changing perspective on art-making, relationships, meaning, and memory in advance of her senior show “We will see us again.”

An ode to Kehinde Wiley and his unique take on portraiture.