A visual analysis of Félix Bonfils’ “Karnak, Avenue Centrale de la Salle Hypostyle, Egypte.”

Djuna Barnes’ illustrations for Ladies Almanack have much to reveal about her sympathies towards the women she mocked.

For the first time in 50 years, Diego Velázquez’s portrait of Isabella of Bourbon was set to fetch $35 million at Sotheby’s New York, but in early January 2024, it was withdrawn from auction.

An experienced VISA shopper explains the difficulties of taking classes in the department to those unfamiliar with them and hopefully offers consolation to those who know them all too well.

Brown Art Review’s Parsa considers the differences between two fascinatingly similar movements and the legacies that they’ve left on the art world.

The visual power of the global phenomenon.